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| Pauline Stella Sanchez | Selected Works Biography Press Release |
| SOLO EXHIBITIONS
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| 2001 | Rosamund Felsen Gallery, Los Angeles | |
| 1999 | Cristinerose Gallery, New York | |
| 1998 | Santa Barbara Museum of Art | |
| 1997 | Angles Gallery, Los Angeles | |
| 1995 | ACME., Los Angeles | |
| 1991 | Marc Jancou Galerie, Zurich, Switzerland | |
| 1990 | Froment y Putman Galerie, Paris, France | |
| Ace Gallery, Los Angeles | ||
| 1988 | Fuller Gross Gallery, San Francisco | |
| Ace Gallery, Los Angeles | ||
| 1987 | Ace Gallery, Los Angeles |
| SELECTED GROUP EXHIBITIONS
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| 2000 | Cosmic Dermisr, Rosamund Felsen Gallery, Los Angeles | |
| Cyber Drawings, Cristinerose Gallery, New York | ||
| 1999 | Local Color, Harris Art Gallery, University of La Verne, California | |
| WDAYANO, Joseph Gross Gallery, University of Arizona, Tucson | ||
| Memory Boxes, Suzanne H. Arnold Art Gallery, Lebanon Valley College of Pennsylvania | ||
| 1998 | L.A. On Paper: Fantastic Matter of Fact, Galerie Krinzinger, Vienna, Austria | |
| Graphic: Contemporary Drawings, Monash University Gallery, Clayton, Victoria, Australia | ||
| 1997 | Selections Spring '97, The Drawing Center, New York City | |
| 118W/24N, Kulturzentrum bei den Minoriten, Graz, Austria | ||
| Incidents and Notations, New Langton Arts, San Francisco | ||
| Summer of Love, Fotouhi Cramer Gallery, New York City | ||
| Spot Making Sense, Grand Arts, Kansas City | ||
| Paper, J. Crist Gallery, Boise | ||
| 1996 | The Power of Suggestion: Narrative & Notations in Contemporary Drawing, Museum of Contemporary Art (MOCA), Los Angeles | |
| Muse X Editions Recent Publications, Shoshana Wayne Gallery, Los Angeles | ||
| a scattering matrix, Richard Heller Gallery, Los Angeles | ||
| Coincidence, Arts Manhattan, Los Angeles | ||
| NEW Gallery, Auckland Art Museum, Auckland, New Zealand | ||
| Protuberance, Artopia, Los Angeles | ||
| The Human Condition, Caren Golden, New York City | ||
| 1995 | Drawing Show, ACME., Los Angeles | |
| Veered Science, Huntington Beach Art Center, Huntington Beach | ||
| Heaven's in the Back Seat..., Name Gallery, Chicago | ||
| Bumpy, Post, Los Angeles | ||
| Painting Beyond the Idea, Manny Silverman Gallery, Los Angeles | ||
| 1994 | The Layered Look, LAX '94, Santa Monica Museum of Art, Santa Monica | |
| Inaugural Show, ACME., Santa Monica | ||
| Vote, Gannet Outdoor Billboards, Los Angeles | ||
| Utterings, Woodbury University Art Gallery, Los Angeles | ||
| Tree, TRI Gallery, Los Angeles | ||
| 1993 | LAX: The Los Angeles Exhibition - About Place, Barnsdall, Los Angeles Municipal Art Gallery, Los Angeles |
| 1993 | In Disposable, Mondo Lot, Santa Monica | |
| 1990 | Brazil Projects '90, Museu de Arte de Sao Paulo, and Barnsdall, Los Angeles Municipal Art Gallery, Los Angeles | |
| 1989 | Three Young Artists, Credac, Paris, France | |
| 1989 | Self-Evidence, Los Angeles Contemporary Exhibitions (LACE), Los Angeles | |
| 1988 | One of A Kind, Barnsdall, Los Angeles Municipal Art Gallery, Los Angeles | |
| After Abstract, Art Center College of Design Gallery, Pasadena Abstractions of the Eighties, Mandeville Gallery, University of California at San Diego, San Diego |
| EDUCATION
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| 1987 | MFA, University of Los Angeles (UCLA) | |
| 1984 | BFA, University of New Mexico (UNM) | |
| 1977 | Studies Corcoran Art School, Washington, D.C. |
| 1974-76, 1981-83 Studies Political Science, UNM
|
| SELECTED ART AWARDS
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| 1990 | Foundation Cartier pour l' Art Contemporain, Residency, France | |
| Credac, Young Artist Award, France | ||
| 1989 | National Endowment for the Arts, Painting Fellowship, USA | |
| Credac Young Artists 1989, France | ||
| 1988 | Research Grant, Department of Art, UCLA | |
| Research Grant, Department of Art, UCLA | ||
| 1985 | Beverly Hills Arts Council Scholarship, UCLA | |
| Department of Fine Arts Counselor Assistant, UCLA | ||
| National Arts Council Scholarship, UCLA | ||
| 1988 | Graduate Affairs Award, UCLA | |
| Anna C. Helman Painting Award, UNM | ||
| Tamarind Institute Fellowship, UNM | ||
| 1983 | Cheryl Conniff-Carroll Scholarship, UMN |
| TEACHING
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| 1998 | Art Center College of Design, Pasadena, Ca present Undergraduate Faculty, Graduate Visitor, Academics | |
| Rethinking Art, Drawing Concepts, Film Seminars, Fine Art Seminars, Senior Projects, Fine Art for Photographers | TR>||
| 1998- 99 | California Institute of the Arts, Valencia, Ca | |
| Advanced Painting, Graduate Advisor | ||
| 1998 | Art Center College of Design, Pasadena, CA | |
| Theory & Practice, Senior Projects, Drawing Workshop, Graduate Advisor | ||
| 1997 | Art Center College of Design, Pasadena, CA | |
| Senior Projects, Drawing Workshop, Graduate Advisor, Painting Concepts, Graduate Theory & Practice | ||
| Visiting Artist, University of Colorado, Boulder, CO | ||
| Graduate Advisor | ||
| Visiting Artist, Claremont Graduate School of Art, CA | ||
| Graduate Advisor | TR>||
| 1996 | Center College of Art and Design, Pasadena, CA | |
| Visiting Artist Seminar, Senior Projects, Graduate Advisor, Drawing Workshop, Painting Concepts | ||
| 1990 | Art Center College of Art and Design, Pasadena, CA | |
| Visiting Artist Seminar, Graduate Advisor |
| LECTURES, PANELS
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| 1999 | Visiting Artist Lecture, California Institute of the Arts, Valencia | |
| Visiting Artist Lecture, Women in Art, Claremont Graduate School of Art, CA | ||
| 1998 | Artist Lecture, Santa Barbara Museum of Art, Curator Diana duPont, Santa Barbara | |
| 1998 | Panel, CORO - Role of Artist in Civic Life, Rotunda Lecture Hall, The Getty Center, Los Angeles | |
| 1997 | Panel, Appropriation and Art History, CU Museum, University of Colorado, Boulder | |
| Visiting Artist Lecture, University of Colorado, Boulder | ||
| Visiting Artist Lecture, Claremont Graduate School of Art, CA | ||
| Artist Lecture, for UCLA held at MOCA exhibition: The Power of Suggestion: Narrative and Notation in Contemporary Drawing, Curator Cornelia Butler, MOCA, Los Angeles | TR>||
| 1994 | Artist Lecture, The Layered Look, LAX'94, Santa Monica Museum, Curator Thomas Rhoades, Santa Monica | |
| Docent Tour, Venice Art Tour | ||
| 1988 | Artist Lecture, Newport Harbor Museum Members, Curator Dr. Ann Ayres, Ace Gallery, Los Angeles | |
| 1989 | Artist Lecture, One of a Kind, Barnsdall, Los Angeles Municipal Art Gallery, Curator Edward Leffingwell, Los Angeles |
| AFFILIATIONS
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| 2000 | Public Arts Committee Advisor to Cultural Commission for 2000 LAX Enhancement, City of Los Angeles | |
| 1993-2000 | Public Arts Committee Member, Cultural Affairs, City of Los Angeles | |
| 1999 | Cultural Affairs Committee on Supergraphics, Los Angeles | |
| 1998 | College Art Association 1999 Host Committee, Los Angeles | |
| 1998 | Cultural Affairs Committee on L.A. Unified School District Painting Restoration, Los Angeles |
| SELECTED BIBLIOGRAPHY
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| Mahony, Robert, "Pauline Stella Sanchez "Items for 'that'...shine place...", review," Time Out New York, June 24- July 1, 1999, Issue No. 196
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| Bell, J. Bowyer, "Exhibitions - Pauline Stella Sanchez," Review, June 1, 19999, p.33.
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| Clabburn, Anna, "New light in broad spectrum," The Age, August 5, 1998.
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| Stanhope, Zara, "Graphic," Monash University Gallery, Clayton Victoria Australia, exhibition catalogue, July-August, 1998.
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| Rutledge, Virginia, Review, Art In America,, April, 1998, No. 4, pp.125-126.
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| Sirmans, Franklin, "Group Shows-Selections Spring '97, The Drawing Center, New York," Flash Art, May- June, 1997, p.75.
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| Scott, Whitney, "That lovin' feeling," Must Picks of the Week, New York Post, Sat., July 19, 1997, pp.26-27.
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| Boardman, Andrew, "Popular Metaphysics," New Observations, No.115, Summer, 1997, pp.18-19.
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| Thorson, Alice, "Grand Arts Show Brings Sense and Style to the Summer Season," The Kansas City Star, Friday, July 4, 1997.
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| Pagel, David, "Spot Making Sense," Grand Arts, exhibition catalogue, June, 1997.
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| Helfand, Glen, "Art Museums & Galleries, 'Incidents and Notations',"
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| The San Francisco Bay Guardian, April 16-22,1997,Vol. 31, No. 29.
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| Smith, Roberta, "Drawing That Pushes Beyond the Boundaries," The New York Times, B23, Friday, March 21,1997.
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| Pagel, David, "Art Review," The Los Angeles Times, F16, Friday, April 11, 1997.
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| Frank, Peter, "Art Pick of the Week," LA Weekly, Vol.19, No.23, May 2-8, 1997.
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| Hainley, Bruce, "The Power of Suggestion, LAMOCA," Artforum, Feb., 1997, p.82.
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| Greenwals, LouAnne, "The Power of Suggestion Narrative and Notation in Contemporary Drawing," Zing Magazine, Issue #41, 1997.
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| Knight, Christopher, "Drawing the Conventional Conceptualist's Conclusions," Los Angeles Times, Nov. 12,1996, F1, F3.
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| McKenna, Kristine, "Sketching Wide Boundaries for Drawing," Los Angeles Times, Nov. 3, 1996, p.59.
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| DiMichele, David, "Abstract Painting: A Conversation," Artweek, Sept., 1996, Vol.27, No.9, p.12-13.
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| Butler, Cornelia, "The Power of Suggestion: Narrative and Notation in Contemporary Drawing," MOCA, exhibition catalogue, Nov., 1996.
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| Hart, Jane, "a scattering matrix," Richard Heller Gallery, exhibition catalogue, Nov., 1996.
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| Leffingwell, Edward, "Coincidence," Arts Manhattan, exhibition catalogue, June, 1996.
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| Coulter, Steve, "More than just 'Coincidence'," The Beach Reporter, June 13, 1996, p.29.
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| Muchnic, Suzanne, "Hot Off the Ink Jet," Los Angeles Times, June 6, 1996, F6.
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| Muse X Editions, "blueyellowtoo," computer publication, August, 1996.
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| Knode, Marilu, "Veered Science," Huntington Beach Art Center, exhibition catalogue, July, 1995.
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| Myers, Terry R., "Painting Beyond the Idea," Manny Silverman Gallery, exhibition catalogue, Sept., 1995.
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| Wiens, Ann, "Heaven's in the Back Seat," The New Art Examiner, Summer, 1995, p.44.
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| Zan, Dubin, "Artists Meet the Machine Age," Los Angeles Times, July 4, 1995, F1, p.2.
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| Curtis, Cathy, "A Show Mr. Wizard Would Be Proud Of," Los Angeles Times, Aug. 15, 1995, Sec. F.
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| Knaff, Deborah, "Veered Science at the Huntington Beach Art Center," Artweek, Sept., 1995, Vol.26, No.9, p.27.
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| Friedman, Terri, "Veered Science/A Vital Matrix," Zing Magazine, Autumn, 1995.
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| Kugelman, Kerry, "Bumpy/Painting Beyond the Idea," Art Issues, Nov./Dec., 1995, p.42.
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| Rhoades, Thomas, "LAX/94 - The Layered Look: Towards An Aesthetic of Accumulation Among Six Los Angeles Artists," Santa Monica Museum of Art, exhibition catalogue, Nov., 1994.
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| Far Board, "Color This," Foundation for Art Resources, catalogue, June, 1994.
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| Wilson, William, "Layered: Purposefully Desperately Silly," Los Angeles Times, Nov. 30,1994, p.F5.
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| Lab, Walter, "Location, Location and Location," Visions Art Quarterly, Summer, 1994, p.33.
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| Kandel, Susan, "A Visit to an Expanded Notion of Place," Los Angeles Times, Jan. 8, 1994.
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| Leffingwell, Edward, "About Place," Los Angeles Municipal Art Gallery, exhibition catalogue, Dec., 1992.
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| Cateron, Philippe, "L'art sur un plateau," Le nouvel Observateur, April 1990, p.52.
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| Zahm, Oliver, "Absalon, Adrien, Sanchez," Art Press, Jan. 14, 1990.
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| El-Beblawi, Nadia, "Pauline Stella Sanchez," Scenes Magazine, June, 1990.
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| Teichert, Otto, "Pauline Stella Sanchez," Galerie Froment y Putman with Credac, France, exhibition catalogue, Dec., 1989/March, 1990.
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| Baudier, Denis, "Art Review," Art Press, May, 1990, Vol.147, p.100.
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| Wilson, William, "Abstractions: Contrasting Temperaments," Los Angeles Times, March16, 1990, p.F14.
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| Albertazzi, Liliana, "Paris," Contemporanea, Vol.III, No.5, May, 1990, pp.44-45.
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| Hirsch, Jeffery, "Work In Progress, A Portfolio of Emerging L.A. Artists," L.A. Style, June,1990, p.186-199.
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| Dobbels, Daniel "Les silence est d/art," Liberation, Jan. 3, 1990, p.30.
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| Appleton, Steven, "Consideration of the Historical," Artweek, April 26, 1990, Vol.21, No.16, pp.11-12.
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| Freire, Norma, "As cores e as formas do Brazil Projects," Caderno 2, Ano IV, Numero1 223, Domingo, 18 de Marcode, 1990.
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| Leffingwell, Edward, "Brazil Projects '90," Sociedade Cultural Arte Brazil, Los Angeles Municipal Art Gallery and Museu de Arte de Sao Paulo, exhibition catalogue, Mar.-Aug.,1990.
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| Curtis, Cathi, "Lace's 'Self-Evidence' Exhibit Takes Viewer for a Spin," Los Angeles Times, June, 1989, Part VI, p.18.
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| Rinder, Larry, "Self-Evidence," LACE, exhibition catalogue, June, 1989.
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| Curtis, Cathy, "Galleries," Los Angeles Times, June 23, 1989, Part VI, p.14.
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| Pagel, David, "The Present: A Future History," Artweek, Jan. 7, 1989, Vol.20, No.1.
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| Rugoff, Ralph, "Circumstantial Evidence," LA Weekly, June 9-15, 1989, p.59.
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| Nowlin, Steven, "After Abstract," Art Center College, exhibition catalogue, Sept., 1988.
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| Leffingwell, Edward, "One of a Kind," Los Angeles Municipal Art Gallery, exhibition catalogue, Dec., 1988.
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| Donohue, Marlene, "Galleries," Los Angeles Times, Feb. 12, 1988, Part VI.
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| Anderson, Michael, Review, Art in America, July, 1988, No.7, p.141.
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| Freudenheim, Susan, "Art Review," San Diego Tribune, Feb., 1988.
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| Ollman, Leah, "The Galleries," Los Angeles Times, Jan. 22, 1988.
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| Marlowe, Michael, "The LA Crop," W Magazine, Sept. 9-12, 1988.
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| Pincus, Robert L., "Young Artists Offer Different Views in Abstraction in the 80's," The San Diego Union, Feb., 1988.
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| Curtis, Cathi, "The Galleries," Los Angeles Times, July 8, 1988, Part VI., pp.18-19.
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| Donohue, Marlene, "The Galleries," Los Angeles Times, Feb. 12, 1988, Part VI., p.18.
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| Curtis, Cathi, "Assessing the Current Vitality of Repetition," Los Angeles Times, Dec.30,1988, Part VI, p.22.
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| Frank, Peter, "Art Review: After Abstract at Art Center," LA Weekly, Oct. 28-Nov. 3,1988, Vol.10, No.49.
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| Hugo, Joan, "1987 Critic's Picks," LA Weekly, Dec. 11-17, 1987, p.28.
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